In an interview with Drue Heinz for the Spring 1995 issue of The Paris Review, Hughes recalled the role that the natural world played in his childhood, citing his Yorkshire upbringing as a crucial element in his creative development. Specifically, the animal world fascinated Hughes from a young age. While this switch may seem contrary to a young poet's goals, these disciplines fueled his creativity, allowing Hughes to seriously pursue the possibilities lying in subjects that first captured his attention during his childhood. Following this dream, he decided to study Anthropology and Archaeology instead, two fields which corresponded to his interests in folklore, mythology, and the natural world. The visitor went over to his desk, where an unfinished essay was lying, put his paws on the papers, leaving a bloody mark." This dream figure then told Hughes "You're killing me," and left.Īt the time, Hughes was pursuing English literature. According to Hughes and Merwin, Hughes dreamt he "Saw door open and someone like himself in with a fox's head. Merwin, who once relayed Hughes' story of this dream. In his article " Ted Hughes' 'The Thought-Fox': Object, Symbol, and Creativity," Bibhu Padhi quotes poet W.S. The answer to this question lies in a dream Hughes had one night during his first year at Cambridge. A cat on the prowl, for example, would fit the bill, too. But the qualities the fox exhibits are also apparent in other animals who creep around the forest at night. The fox's manner-sneaky, clever, bold- echoes the way which an inspiration can suddenly strike, while the forest's setting-dark, dense, deep-is much like a writer's imagination. After reading and analyzing " The Thought-Fox," it's easy to see why the image of a fox emerging from the edge of a dark forest is similar to an idea developing and surfacing from the depths of a writer's mind.
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